Concert Calendar
Mar 2015
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Upcoming Events

  • Celebrating American Classics

    March 7, 2015, 8:00 pm
    Severance Hall

    A CIM Women’s Committee Benefit

  • Faculty Recital: Carolyn Warner & Friends XI

    March 18, 2015, 8:00 pm
    Mixon Hall

    Carolyn Gadiel Warner, piano/violin
    Peter Salaff, violin
    Daniel Shapiro, piano
    Stephen Warner, violin, guest artist
    Kim Nolen Gomez, violin, guest artist
    James Umble, soprano/alto saxophone, guest artist
    David Lakirovich, violin, student artist
    Ignacio Cuello, viola, student artist
    Timothy Paek, cello, guest artist

     

  • Chamber Music Master Class

    March 19, 2015, 7:00 pm
    Studio 217

    Cavani String Quartet
       Annie Fullard, violin
       Mari Sato, violin
       Kirsten Docter, viola
       Merry Peckham, cello

The Institute was ever-growing. By 1965, studio facilities needed to be expanded, and 20 new Steinway grand pianos arrived from New York. "We now have about 120 pianos, mostly Steinways, including two 9-foot concert grands," beamed Dr. Babin.

During the 1960s, Donald Erb was exploring the Moog Synthesizer and gaining national attention. BMI named Erb one of the ten most-performed American-born composers. The electronic music studio, financed by Columbia Records, was built downstairs at CIM to train recording engineers. Two synthesizers were installed, attached to two speakers and two keyboards.

Groundbreaking for Le Pavillon, CIM's smaller concert hall, began in 1966 with funds donated through the Austin Memorial Foundation. Designed by the Austin Company, construction was completed by Dunlop & Johnson.

With Martha Joseph leading the school as chair of the board of trustees, the Institute embarked on a fundraising campaign to compete with the other top music schools, seeking a $3 to $4-million endowment, employing principals of The Cleveland Orchestra as faculty members and inaugurating the University Circle Training Orchestra with James Levine as conductor. (Levine would go on to become the Metropolitan Opera's artistic director.)

The Women's Committee joined the excitement and hosted grand parties on ten floors of the downtown Higbee's department store. Two-thousand people enjoyed these yearly extravaganzas with names such as "Roamin' Carnival" and "Exotica," with all proceeds benefiting the Institute.

The Institute lost its dynamic leaders and mourned their passing before moving toward the future. Pianist Arthur Loesser and violinist Dr. Jerome Gross died within months of each other in 1969. The New Cleveland Quartet with violinists Donald Weilerstein (who later became a member of the CIM faculty) and Peter Salaff (a current member of the CIM faculty) was established as a living memorial to Dr. Gross, and the quartet performed the first of a series of yearly concerts in his memory. Pianist Anton Kuerti, already establishing an international career, performed a concert in memory of Mr. Loesser with the quartet.

Next: The 1970s