Concert Calendar
Sep 2015
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Upcoming Events

  • Carolyn Warner & Friends XII

    September 9, 2015, 8:00 pm
    Mixon Hall

    Carolyn Gadiel Warner, piano
    Ai Nihira, violin, guest artist
    Yun-Ting Lee, violin, guest artist
    Stephen Warner, violin, guest artist
    Joanna Patterson Zakany, viola, guest artist
    Timothy Paek, cello, guest artist
    James Umble, alto saxophone, guest artist

    September 16, 2015, 8:00 pm
    Severance Hall

    Cleveland Institute of Music Orchestra
    Carl Topilow, conductor
    Yuri Noh, piano, student artist
  • Faculty Recital

    September 20, 2015, 4:00 pm
    Mixon Hall

    Katherine DeJongh, flute
    Wesley Skinner, cello
    Kyra Kester, flute
    Ethan Miller, alto saxophone, guest artist
    Eric Charnofsky, piano, guest artist

Classical Improvisation and the Cadenza with Marshall Griffith at CIPC 2013

August 8, 2013

A long-time supporter of the Cleveland International Piano Competition, CIM and our musicians play our part in the CIPC’s 2013 Festival Events. Recently, CIM alumnus, faculty member and improvisational pianist Marshall Griffith participated in a discussion and demonstration held in the Recital Hall at the Cleveland Museum of Art as part of CIPC 2013.

Marshall Griffith | Photo by Guytano Parks for Clevelandclassical.comMr. Griffith discussed how customary it was in Mozart’s time for a performer to not only improvise a cadenza during a special moment in a concert but to add notes throughout as the soloist rarely had a completely written out part, reported Guytano Parks in an article for

Additionally, Mr. Griffith acknowledged that the thought process of performers of that era and today’s jazz musicians shared a similar thought process related to improvisation.

“So, much like the artistry and creativity of today’s musicians who speak the language of jazz, performers in Mozart and Beethoven’s day were likewise equipped with elements of their Classical language, delighting and dazzling audiences with their technique, individuality and inventiveness,” wrote Mr. Parks. Mr. Griffith demonstrated some of his points performing excerpts from Scarlatti and Mozart.

This isn’t Mr. Griffith’s first appearance this year at CIPC; his trio brought a bit of the “language of jazz” to the opening reception on July 31, which was also hosted at the museum in their spectacular atrium.

To read an entire review of the event, visit

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